Alois Riegel: Art History and Theory Margaret Iversen

ISBN: 9780262590242

Published: March 17th 2003

Paperback


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Alois Riegel: Art History and Theory  by  Margaret Iversen

Alois Riegel: Art History and Theory by Margaret Iversen
March 17th 2003 | Paperback | PDF, EPUB, FB2, DjVu, audiobook, mp3, RTF | | ISBN: 9780262590242 | 5.48 Mb

Alois Riegl (1858-1905) was one of the founders of art history as a discipline. This is the first general introduction to the work of the celebrated Austrian who brought complex philosophical considerations to bear on art and its history. RangingMoreAlois Riegl (1858-1905) was one of the founders of art history as a discipline.

This is the first general introduction to the work of the celebrated Austrian who brought complex philosophical considerations to bear on art and its history. Ranging easily over diverse fields and among a large group of thinkers, Margaret Iversen establishes Riegls relevance to recent critical thinking while clearly delineating his extraordinary critical powers.Iversen contextualizes Riegls thought among the wider cultural crosscurrents of his time, pointing for example to his denunciation of the sub-Semperians and his profound influence on Walter Benjamin. She is equally concerned to relate Riegls work to contemporary theoretical interests, arguing that he pioneered an approach to art history that took into consideration the role of the spectator.

She devotes a chapter to Riegls theory of spectator/depiction relationships, comparing it with more recent writing on the subject by commentators like Fried, Foucault, and others.In a sympathetic reading of Riegl, Iversen interprets his theory of Kunstwollen or artistic volition, as a concept that ran counter to narrowly empiricist and determinist histories of art that were dominant in his time.

She provides extended critical commentary on his most important works, Questions of Style, Late Roman Art Industry, and The Dutch Group Portrait, enriched by explorations of the theoretical background of his systematic art history, including the work of Kant, Hegel, Herbart, and Hildebrand.

Iversen also details Erwin Panofskys early response to Riegl, arguing that Panofskys search for an authoritative viewpoint collapsed Riegls multiple typology of style into an art history constructed around a single aesthetic norm.Margaret Iversen is Lecturer at the University of Essex, Colchester, England.



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